An original etching after Canalettos " The Stone masons yard"  1876

An original etching after Canalettos " The Stone masons yard"  Etched by Léon Gaucherel

Giovanni Antonio Canal, known as Canaletto, was born in Venice, the son of a theatrical scene painter. He was very influential, famed for his precisely depicted and evocative views of the city (vedute). Canaletto's early pictures for local patrons are his most accomplished: these carefully designed, individual, and atmospheric studies include 'The Stonemason's Yard'.

He found that providing formulaic paintings for tourists was very lucrative. These, still highly skilled works, were produced by him often in collaboration with an organised workshop. They usually record the lavish Venetian public ceremonies, as in 'Regatta on the Grand Canal'.

Canaletto was favoured by English collectors. He visited England repeatedly between 1746-56, painting works like 'Eton College'. His most important assistant was his nephew Bellotto, who became an accomplished artist. Canaletto often made meticulous preparatory drawings. He may have used a camera obscura for topographical accuracy in creating some of his designs, but he always remained concerned with satisfying compositional design, not simply slavishly recording views

Léon Gaucherel (21 May 1816, Paris – 7 January 1886, Paris) was a French painter and etcher. He learned art from his childhood friend, Eugène Viollet-le-Duc, whom he accompanied to Sicily from 1836 to 1837. His first major works were illustrations for a project to restore Notre-Dame, proposed by his friend and Jean-Baptiste Lassus in 1843. The following year, he began to master the art of etching.

Over time, he went from producing original engravings to making reproductions of works by other artists. By 1858, the transition was complete and he began creating illustrations for magazines; notably the Gazette des Beaux-Arts and the Annales Archéologiques, where he depicted decorative architectural details. His work on the Gazette, together with his fellow printmaker Léopold Flameng, helped to establish that publication's reputation.

He was an active member of the Société des aquafortistes and, in 1864, was named a Knight in the Legion of Honor. In 1866 he created a large album of still-lifes to promote etching, which was still considered to be more of a craft than an art. The latest techniques were introduced in an exhibition at the Salon.

In 1875, he became the Artistic Director for the weekly revue, L'Art , founded by Eugène Véron . During his tenure, he recruited several engravers to be permanent staff members. Among the most popular was Auguste-Hilaire Léveillé . In addition to his creative activities, he also took numerous students, including Victor Gustave Lhuillier, Louis Monzies, Edmond Ramus, and Adolphe Lalauze.

The museum of art and history in Sainte-Menehould has preserved many of his original plates.

Printed on thick wove paper and in excellent condition some pencil marks on the top of the page.

Unframed measuring 22 cm x 17 cm plate size

Created 1876

This is an original etching guaranteed over 140 years old